Anne-Marie Imafidon

It feels like this has been a long month; I’ll keep this post short.

It may be the ‘time of year’ but I feel like this month I’ve been asked more than usual to sit on panels and present at events. At these events, after sharing my story and experiences, I’m often asked one question in particular: HOW are you able to do ALL that you do? I smile and then give an answer. Each time, though the answer is biased by what kind of day I’ve had and who my audience is, I give a similar answer. An answer based on my approach to life enhanced by the hyper personality I’ve always had.

My approach? – I live life with a triple bottom line

Social Enterprises (and quite a few ‘normal’ companies) operate with the concept of a triple bottom line. This means that in addition to keeping…

View original post 624 more words


Two Worlds Collide

Experience and explore where you volunteer

Claire's Indian Adventure

India is a country of contrasts.

Obviously I’ve only been here five days this time around, and I’m only exploring Delhi at the moment, but already I’m beginning to anticipate the darkness and light which plays across this land.

It’s tricky to explain the sheer sensory overload which this country gives you. Everything is louder, brighter, spicier, closer, bigger, smellier. The streets are crowded, which you’d expect for a major city, and the roads are completely chaotic – although today was the first road accident we’ve seen since arriving and it was only a small bump between a car and a motorbike.

What seems like chaos to me works though, somehow. The trucks, buses, cars, autos, rickshaws, bikes (motor and non) and pedestrians all seem to share moreorless the same space on the road, with just a bit of horn honking to let everyone know where they are. Ah yes…

View original post 643 more words

The Greenery

Yesterday, I posted about Mekong Blue—a brand of silk scarves that supports a social enterprise for women in northeastern Cambodia. It’s a simple concept that’s on the rise—social entrepreneur sees problem, addresses it in a small-scale way that merges nonprofit and business models…and changes lives.

In the case of Mekong Blue (the brand/products) and the Stung Treng Women’s Development Center (the nonprofit part), the problem is that women suffer disproportionately from poverty in places like rural Cambodia.

It’s a perfect storm of disadvantages: Rural families often send boys to school while expecting girls to work at home and to marry very young. Boys are encouraged to become financially self-sufficient, while girls are steered toward becoming wives and mothers. And the child-rearing falls mostly to women. But what happens to a woman and her kids if her husband falls ill or dies? Or if he’s an addict, an abuser…

View original post 489 more words

Add your thoughts here… (optional)

Youth Challenge International

Over the past several weeks, my colleague and I had been working hard organizing and preparing for a ‘Job Networking Event’ which was held on the Koforidua Polytechnic Campus. While the event was unlike anything we had taken part in before, we figured it would be a relatively straightforward task, as we had quite a bit of assistance from other volunteers and YCI staff.

The event, held in an auditorium on the KPOLY campus, was aimed to give students a chance to network with several employers who operate locally, including Nestle Ghana, COCOBOD, and several insurance companies and banks. Each employer spoke on a topic related to job seeking after graduation and what students should be doing to prepare for life after graduation. Afterwards students were given the chance to ask the employers questions and had a chance to network with the employers.

To prepare for the job fair, we…

View original post 1,467 more words

Witnessing the Power of Art At Free Arts for Abused Children

Sunlight is pouring through the window that surrounds the waiting hall. It is solemn, even forbidding in here, Edmund Edelman Children’s Court. The only sound that echoes in the hall—beep-beep-beep. What could I have possibly brought here to annoy the security machine?

“Ma’am, that camera’s not allowed in here”
“It’s for the interview with Free Arts for Abused Children center”
“Okay, but you can’t take any pictures without consent. Go up to 5th floor.”

Walking toward the elevator, an overpowering painting covering the entire wall before the elevator greets me. Is it a mural? No, it’s a collection of about thirty-five drawings of diff erent faces in clumsy strokes. One of them shows a lady with some very tough mustache and another one looks like a lump of black butterflies trapped in a web.

Who drew all these? I push the button for the 5th floor to get an answer to my question.

The 5th floor is quiet and empty. Except for a few people sitting on scuffed benches, nothing really grabs my attention. But watching them busily rubbing their fingers and shaking their legs, I feel the tension in the hall. These people are waiting for the trial, the decision that can change the paths of every family members. One child who is sitting next to his father is sucking his tiny thumb in a very stiff manner. Looking around, I can’t find any of theses kids running or jumping around making loud noises. It is such an unfamiliar scene to witness, almost uncomfortable.

Taking a deep breath, I walk into the administration office. It takes me a while to recognize that the office looks exactly like a courtroom, almost. In the middle of the room stands a judge’s bench covered in colorful tapes, ribbons and a stack of project posters. Adjacent to the bench is a long desk, which is usually served for witness to stand and reporters to sit, decorated with red pompoms. One by one, I observe the posters and paintings displayed on the wall. This office is a little gallery! While I am almost done counting the in vibrant animals in the zoo in one poster, a lady with a cheerful smile offers her hand,

“Hi, I’m Audrey, I will be giving you a tour today” Audrey is the development director of the center that I contacted for the interview. After sharing a polite and brief introduction with Audrey, we take an elevator down to the 4th floor to meet volunteers and I start pouring the questions about the center.

According to 2012 Children’s advocacy center statistics, there were 145,000 children investigated for child abuse from January from June 2012. The impact of child abuse is far greater than its immediate, visible effects. Abuse and neglect can scar a person for life, causing development delays, aggressive behaviors and depression. Free Arts for Abused Children in LosAngeles County has been providing several different programs to help these children escape the anxiety through arts and crafts projects. Out of four programs that they have, this courthouse program is specifically designed to loosen the tension for children waiting for their dependency hearing at the court.

“It’s amazing how effective art is at opening these children’s mind,” explains Audrey. “Kids would walk in to the courtroom waving a paper with a mickey mouse that they drew or hugging a doll they just made. It’s a conversation starter for the judge, asking the doll’s name and commending them for great work. The kids feel strong and confident holding their creation. It’s their talisman.”

The fourth floor looks exactly same as the fifth one, except this floor is a little more crowded. A bit more kids bustling around and a bit more conversation happening between the adults. And in the center of the hall is a big round table that, completely surrounded by kids. On the table are coloring papers with Disney characters, numerous crayons, tiny scissors and other decorations lined up in a very organized manner. Three volunteers are handing out materials to children. Every single one of them is completely occupied with coloring the princess and the cars, I did not dare disturb. Here, I can’t find any hints of abuse. Is this the power of art therapy?

“Tell me some stories about the miraculous in children that you have witnessed while working here”

“There are so many stories to tell…in fact, I see it everyday,” Audrey starts to list her memorable moments without even a second of pondering.

“It was pretty festive that first day at this center, there were many children running around the tables that we prepared with art materials for all kinds of projects. I was paying attention to this one kid who wouldn’t interact with other, just sitting in the corner. When I was about to approach to him, a volunteer took his hand and led him to the origami table. Sitting apart from each other, they focused on making their own frogs out of a piece of paper. No words, just busily folding and cutting the papers. After finishing the work the kid approached to the volunteer who quietly waited for him to do so. The boy liked volunteer’s compliment on his frog and started showing it to everyone in the room. Oh and there’s another story about a girl who would not open up to anyone even after several counseling but started talking about her story after our yoga session…”

As I write down the stories about changes in abused children that this center has brought, I look around. I realize, all these stories are important. But not as important as what I am seeing with my own eyes right now. The little girl who is making an important decision of which pink crayon to use for the Rapunzel’s dress, the mom who is watching her with tired but relieved smile and the volunteer who is helping a boy use a scissor. Art is the cure for these children.

Picasso once said, “Art washes from the soul the dust of everyday life.” After visiting the Free Arts for Abused Children center, I am a big proponent of utilizing the power of art and creativity for improving emotional and mental health of abused children. It’s not just the best way of cure these children, it might be the only way.

– Courthouse program director, Judith (left) and Development Director, Audrey (right) –

If you want to know more about Free Arts for Abused Children center, go to http://www.freearts.org/

If you want to learn more about the volunteer experience at the center, see the reviews here